Eiseley agreed with these injunctions, however cruel they may sound,admitting that he would “like to nourish/the man-devouring trees back ofmy chair or leave the hemlock in my coffee cup.” Because he had withinhim “furies . . ./that only oak could contain,” he welcomed the prospecthe envisioned, thanks to the trees’ bidding, of being “locked in, with thisoffice as my tomb,/with the bones, the weapons, and the wood.” He wantedthe end they promised him, longed for a “burial that/recognizes man’s truenature,” a burial fitting for a man who has “slept beneath redwoods” andwhose very “thoughts are gnarled as the redwoods’ trunks.” In death, hewanted the office he had long inhabited sealed off and “vine leaves to veilmy eye sockets,/their giant ropes sustain/me upright in my chair” (1979,pp. 97–98). He ended the poem (and his own career as a writer) with a finaladmonition
Monday, October 19, 2020
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phase as an artist, was Anton Mauve, himself an eminent artist. Mauve had married into the Van Gogh family so he was not only known to van...
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painted three more large canvases. They are vast stretches of wheat under troubled skies, and I didn’t have to put myself out very much in...
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phase as an artist, was Anton Mauve, himself an eminent artist. Mauve had married into the Van Gogh family so he was not only known to van...
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SAINT-R ́ EMY AND AUVERS-SUR-OISE Van Gogh closed out the final 14 months of his life in St. R ́emy, where he lived in a mental institu...
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